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- 2011 Lexus IS-F
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True Blood in the Fridge...Weekend is Set.
OT: En Vogue to Star in Reality TV Show?
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Black Woman in Space: Set Your Tivo to Watch "Virtuality" on FOX!


I know, I know...it's completely off-topic but rarely do we see a sci-fi show on TV that acknowledges that black women exist in the future so I'm excited. The premise sounds odd (see below) but I'm tired of watching old episodes of Firefly so I hope this can fill the void and Joy Bryant has a decent role. Unfortunately, the show is on FOX, which means that it will probably be canceled quickly.
The two-hour premiere airs on FOX on June 26th at 8 p.m.
From io9:
The crew of the Phaeton is approaching the go/no-go point of their epic 10-year journey through outer space. With the fate of Earth in their hands, the pressure is intense. The best bet for helping the crew members maintain their sanity is the cutting-edge virtual reality technology installed on the ship. It's the perfect stress-reliever until they realize a glitch in the system has unleashed a virus on to the ship. Tensions mount as the crew decides how to contain the virus and complete their mission. Meanwhile, their lives are being taped for a reality show back on Earth.
****On a side note, I haven't been posting much lately. My family and I are expecting another baby in August so the blog will probably be slow to update for awhile. There is plenty of good stuff to read on my blogroll, so please check out those links! Thanks!*******
America's Next Top Model
NYLON Magazine - Ode to Denise Huxtable
What I'll Be Watching this Fall
From My Mailbox
ETA: Now that I've used Hautelook (to purchase a coat I found during one of their sales,) I would NOT recommend buying from them. Twelve days after ordering the item, it still has not shipped and when I contacted "customer service" I got a snippy answer saying it might go out by the end of the week. There is no tracking number no nothing and you better believe that my credit card was charged immediately after the sale. Looking around on the web I've see dozens of posts from people complaining that orders were bungled, too upwards of 30 days to be received or worse. I'd say that if you can't resist the sample sale sites that are popping up like mad lately, skip Hautelook and go to Ruelala.com instead. I've had much better luck and service with them.
On the Newsstand: Domino Magazine August 2008






These days I anticipate the new issue of Domino magazine way more than the new Vogue. That said, the last few issues have been kind of hard to tell apart. I love environmentally friendly furniture too but how many times do I need to see "recycled" pieces of furniture priced in the thousands of dollars? I was surprised and pleased when the new (August) issue arrived in my mailbox this afternoon because 1) the issue is partially devoted to decorating on a realistic budget and 2) there was an honest to God woman of color on the cover! Upon closer inspection I realized that it was none other than Mara Brock Akil, the producer of two shows I really enjoy, the dearly departed Girlfriends and The Game. As you probably know Mara and Shonda Rhimes are the only Black women producing multiple shows for the networks. While I never really got Grey's (I just can't stand the main character,) I was surprised by how much I am loving The Game, even though I hate football. I'm keeping my fingers crossed that Akil will get to try her hand at producing a drama soon. In the meantime, here are the photos of her home and gorgeous family. There definitely some design inspiration there:
I also got my Entertainment Weekly (July 18th issue) and if you're interested there is a brief commentary titled: "It's Time to Put Black Actresses in Hollywood Blockbusters" by Maureaux Watson. I couldn't agree more. I think it's very strange that Will Smith is the biggest movie star in the world yet studios are hesitant to cast a black woman as his love interest in all those blockbuster movies.
She's Got the Look: The Final
She's Got the Look: In the Kitchen with Daisy
Anyway, the beginning of this week's show finds the ladies back at the apartment.
Tanya comments that the competition is getting pretty intense which is kind of funny to me because this is probably the least stressful competition reality show I have ever seen. With the exception of Paula's brilliant ranting in episode two, this has largely been a stress free affair.
Karin pipes in and says that the house dynamic has changed. By this, she means that there are no contestants left who have trouble walking --cut to Hope impersonating Melissa's stomp and Roxanne's crazy shoulder rolling walk. I guess you just have to see, it because it is kind of funny.
Kim Alexis' voicemail informs the ladies that there will be an acting challenge. At least, I think it was Kim's voicemail but to be perfectly honest, I can't tell the difference between Kim's recorded voice and her natural one. She talks and moves like she has a battery pack in her ass. I've see Teddy Ruxpin bears that act more natural.
Bahia is nervous about the challenge and tells Celeste that she will probably be better at this than she is. In time the viewing audience will learn how very wrong she is about that assumption.
The ladies are taken to the Soho Playhouse where they are introduced to acting coach Dave Mowers who informs them that they will do some improv work and a cold reading for some fake automotive school commercial.
Celeste says something about being 50.
Tanya is called up first and in her confessional shares that she has absolutely no desire to be an actress which I am pretty sure is a first for a reality show contestant. Next comes Celeste who's hair weave is not looking so hot. The front of her hair is sticking up like she was Cameron Diaz's spermed hair stunt double in There’s Something About Mary. Her reading is as fake as can be. Seriously, it's like someone pretending to be a bad actress on a sitcom. I couldn't understand a word Karin said during her reading so I'm just going to leave that one alone.
For the first challenge the women are split up into two groups and must write a commercial about greeting cards in which someone cries. Acting coach Dave lets Tanya pick the groups because she was "brave" and went first when he made her. How exactly is that brave? She puts Hope and Karin in her own group and pairs Celeste and Bahia which already sounds like comedic gold.
Tanya's group tries to figure out which one of them can cry on cue and I wonder if they'd been paying attention at all during Karin's frequent tear sessions. Tanya volunteers that she can "go there" if she needs to and I'm thinking that of course she can because she was stabbed seven times. Hell, I cry every time I think about that. Somehow inexplicably, Hope end up with the task.
Karin has trouble asserting herself so Tanya and Hope come up with the whole concept which had something to do with Hope being alone on her birthday and then her friends come in and surprise her with a card. What kind of friends are these? I don't want a stinking card on my birthday, I want booze and cake. Anyway, the dreadful commercial ends with Hope being unable to cry.
Next up is Celeste and Bahia. Celeste decides that she and Bahia should pretend they are in a split screen like that Micheal McDonald/Patti Label video for “On My Own.” In this version, both of them a sisters who receive the one another’s card on the same day. Oh, and they're Algerian because Celeste wanted to speak with an accent. If a fake accent didn’t work for Kevin Costner in Robin Hood, why will it work here?
To say Celeste is a terrible actress is an understatement. After watching her over the top ACTING! I am convinced that she couldn't act wet in a bathtub. How does someone so fake not know how to deliver a few lines? Bahia goes to some dark place in her part and manages to shed a few tears. Maybe she was remembering the trapeze challenge or something.
Somehow, they get the victory and are told that a special surprise is waiting for them in the loft. Celeste is criticized for being over the top but says:
“Yes, as always Celeste Johnson is over the top, that is part of my personality. I have a gusto for life that I am not going to give up because someone tells me I'm over the top!"
Fair enough Celeste.
Commercial break: an ad for the AARP
Back at the loft, a banker and a real estate agent appear to have entered the apartment. Except that it's actually Celeste's husband Bill (c'mon, we all knew she was married to an old white guy) and Bahia's best friend Liz. They are the surprise. Bill shares that Celeste thinks that he is "ensconsed in Chicago." Or was it entombed? Bill estimate the resell value of the loft, no doubt wondering how Celeste manages to live in such cramped quarters while Liz spies her shoes on the floor need Bahia's bed.
Bill says, “I can't wait to see the look on her face!” When the ladies come back and discover the surprise, we discover that the look on Celeste's face is the same look she always has on her face, surprised with a faint sheen on Fake No. 5. Bill and Celeste have one thing in common, they both love Celeste. Hope is impressed with Bill, commenting that Celeste "landed herself a winner." Although Bill seemed like a perfectly nice man I would have killed to see who would have walked through the door for Roxanne and Paula.
After the newness of the surprise fades, the rest of the women are left to suck their teeth about missing out on the chance to see their loved ones. Karin starts crying (again) about missing her boyfriend who I imagine at a seven foot tall Strongman competitor. Hope feels bad that because of her, the others may have lost out on something so important. Later she apologizes to Karin for ignoring her during commercial writing. An apology and regret? This is yet another first for reality TV.
Next we see Bahia, Celeste, Bill and Liz at dinner. Oh I should add that Bahia is wearing a seriously fug jacket that not only is two sizes too small but also looks like it was made from steel wool. Everyone seems to be having a great time. Celeste toasts the group:
We are toasting to life. Here's to life, love, life, happiness, success, good health, wonderful wealth, and perfect self-expression!
I know, huh? If I knew Celeste in real life, I think she would drive me nuts.
The next day, that woman from SELF shows up again this time to bore the women about relaxation. She lights some candles, makes them lay on the floor...turns on some Marvin Gaye music...and, well okay, there was no Marvin but there should have been.
Final challenge day and the ladies are told that they will be doing a commercial with Daisy Fuentes who appears wearing a school marm’s floral blouse and camel toe pants. They will be helping Daisy sell something called Fuentes Fruit Fritatas on an infomercial.
Jokes on the ladies because of course, the product isn't real and to make matters worse Daisy has spiked to mix with hot sauce, salt and cod liver oil to see how the ladies react. Hysterical huh? If I wanted to see that prank I'd watch Fear Factor. The rundown:
Karin seriously acts like a meth-head and has apparently lost all control of her limbs. When she's on camera with Daisy she's so weird an jumpy that I feared for her safety. Hope can't pronounce dairy and keeps shutting her eyes. In confessional she adds that the frittata tasted like shit. Celeste is Celeste. Tanya does okay but really who cares, it's a crappy product and the acting always sucks on infomercials. Bahia mistakenly tells Daisy after the commercial that the product is disgusting to which everyone feigns offense, causing Bahia to feel really bad. I felt bad too because Bahia was wearing that awful jacket again.
They should just pull a name out of a hat at elimination. Clearly Karin was the worst but the judges let her stay and give Hope the boot. Who's going to do the snappy one-liners now judge? Hope does manage to leave on a high note with some class. I'll miss her.
She's Got the Look: Runway Challenge
Yeah I know. I said last time that I wouldn't do regular recaps of TV Land's modeling reality show, "She's Got the Look." But after the whole Paula debacle from last week, I felt the need for some kind of closure which we all know, is best done via blogging.
For one, I still can't believe that Sharon, the spunky 63 year old is gone. Her absence makes me call bullsh*t on this entire competition. I mean, she was lovely, had lots of personality and a good back story. Don't these people know how reality shows operate? She should have won the whole thing!
Anyway, it turns out that I wasn't alone in my grief because at the beginning of this week's show, super svelt model Karin is visibly upset about Sharon's ouster too. Karin (who has an accent that up until now I've never noticed) tearfully remarks that she and Sharon had become good friends during their time on the show (which I'm guessing was three days max. ) She is incensed when resident bitch Roxanne plops herself down on Sharon's now vacant bed because, in her own words, she was too lazy to make up her own bed. Karin thinks this is extremely disrepectful and sobs while telling Roxanne to move her ass. Karin kind of reminds me of Sveltlana, the one legged Russian with whom Tony has a brief affair on The Sopranos. I really miss that show and I loved Svetlana so now I'm warming up to Karin.
Later Celeste, the hot 50 year old who won't let you forget she's a hot 50 year old, reminds the ladies that this is a competition. Why is it that on every competitive reality show there always one contestant that feels the need to remind everyone of this fact over and over again?
House mother Tanya thinks Celeste has a certain "hardness to her" and asks her why she keeps reminding everyone that this is a competition when it's pretty damn obvious with, you know, the challenges and cameras and all. Celeste mumbles something about it being a competition (again) and not taking these little relationships seriously. She actually says in an extremely annoying voice "It's a comp-e-tition BAY-beeeee" and she draws out that eeeeee sound for dramatic effect. It makes me want to slap that ugly ass argyle sweater off of her impressively hot 50 year old body.
At the site of the first challenge 80s model Kim Alexis (wearing a turquoise blue satin short sleeved button-up blouse in a snakeskin print that looks as busy as it sounds) reveals to the women that the challenge will be of the runway variety. She introduces a special coach and guest judge...none other than Roshumba.
You know what I think is weird? Roshumba sported short natural hair when no one else was rocking it and now that you can't walk ten paces at the mall without smacking face first into someone's two strand twists, braids, afro puff or locs, Rosumba is wearing a relaxer. She looks good though and hasn't aged a day, unlike her ex husband Gary Dourdan who's been looking a bit musty lately. Anyway, she explains different types of walks to the ladies including the "new school" walk which apparently is all in how you cross. The challenge is that the women must fashion a dress out of burlap and rope and then make it work on the runway. Haven't we seen this type of challenge a million times already?
When all is clipped and done the looks are unvieled. Hope (who has found her niche as the show's comic relief) takes the stage in an outift no doubt inspired by those old 1960s Hercules movies. Her walk is old school Cruella DeVille and when Roshumba asks her who she is wearing she says Versace, but she pronounces it Ver-saw-shhh which reminded me of Nomi Malone in "Showgirls" and her VERS-ace dress.
Karin takes the stage like a cracked out disco gypsy much to everyone's amusement. She finishes by doing the robot which only made me love her more because she was being serious. Tanya's dress looks like it was made by the wardrobe mistress from 10,000 BC. Bahia, inspired by 60s Chanel, manages to put together something decent. She said a few things but I get so enraptured listening to her smokey voice that I forgot to write it down. I don't remember anything about Melissa's dress but the woman has great legs. Celeste manages to walk and silently judge everyone in the room at the same time. She's like that woman at church on Easter Sunday who goes out of her way to make sure she has the biggest and most unique hat and when people compliment her on it she's like "what? this old thing? I almost threw it out!
Then there's Paula, who shares that she bought her first pair of heels 6 months prior to the show. To put it nicely, the woman walks like a cat with a severe case of rickets. Because everyone is still afraid of her from last week, no one says anything catty.
Back at the apartment Beverly Johnson drops by. Remember when Bev was dating Mr. Big? Anyway, she comes over and brings a big box of wigs with her.Tanya dives headfirst into the box and emerges with a sassy and short blonde wig. Roxanne puts a longer blonde wig on her own head and somehow comes out looking 15 years older. The camera then shows Paula fussing with a cropped reddish wig. Even though Bev picked this wig especially for Paula she doesn't like it and thinks it makes her looks like Aretha Franklin. She clearly wants a longer wig and in the end slaps a shoulder length number on her head to salve the pain.
Now it's time for Bev to sit everyone down to play a game of self-exploitation and reveal something no one else knows about them to the group (and the 12 viewers of the show.)
Celeste volunteers to go first and tells everyone that she's 50. Just kidding. She reveals that she plays the saxophone. Big whoop. Bahia shares that growing up in a Muslim family, she wasn't comfortable being a girl at times and still doesn't know quite how to express herself. Karin feels her pain and shares that she too had these issues because her father a farmer and a boxer or something but then she starts crying and I can't understand what she's saying but she and Bahia hug so I guess they felt healing.
Tanya shares that people always thought she was pretty growing up and then one day when she was 13 some girls jumped her and stabbed her 7 times.
I know, HOLY SH*T, right?
How do you feel about sharing your sax story now Celeste? Thanks for opening up about that one.
Who can share after that revelation? Paula tries to steal some shine and adds that she didn't know that that kind of stuff happened to pretty people and oh, by the way, she doesn't feel pretty either (yeah, we know Paula!) Roxanne, whom I am sure thought that she would finish big, shares that she was in a loveless marriage and didn't believe in divorce until you know, she got divorced. She's wearing Paula's discarded wig (which makes her look 60) and does her best to cry her way back into the spotlight but it ain't working. Did your husband stab you 7 times? No? Then STFU!
Final challenge time. The ladies must impress on a runway for a real audience of unenthusiastic production assistants and the judges. They are introduced to their host, runway coach Paul Morton. Paul has a headful of bouncy reddish brown ringlets like Rachel True. He must go through a tub of Curly Pudding every three days.
Immediately, we discover that Paula has a problem. Remember those heels she bought 6 months ago? Well, it turns out that they aren't actually heels, they're more akin to a broke down pair of Payless wedges and she's going to have to learn to walk in the real thing for the show. Isn't this something that should have been taken care of during the auditions?
Celeste feins surprised that the contestants will have to wear swimsuits on the runway. "Oh my God," she say, "who told them to put swimsuits on models over 35!" Then we see her in a two piece and she looks incredible, she also gets to share with the fitter that she's 50! Can you believe it? Celeste is like that hardbody chick in the dressing room at Target that feels the need to pop out and examine her body in the three way mirror in full view of everyone. She's only doing this to get compliments. "My ass looks so big in this doesn't it?...No? I look amazing and flawless...okay well, if YOU say so!" These women are bitches to the bone.
That beauty salon guy from last week is back and getting his revenge on Paula. Not only is her foundation a good 4 shades darker than it should be but he slaps a blonde wig on her head. Here's something about Paula that maybe you didn't notice at first. She has no neck and what little she does have is completely hidden by this wig. The overall effect makes her look like Hightower from those Police Academy movies sans the mustache.
Onto the show. Roxanne makes an ass of herself, slinking onto the stage like an extra from Bordello of Blood. Celeste walks like she has a bladder infection. Karin is akward as hell and Paula...well, we knew this was coming, Paula clomps onto the stage like a Clydesdale in kitten heels. It is truly awful and very comical. Roshumba can barely hold her sh*t together watching the display. Worst still, at one point it looks like Paula may be winking at the audience but it also kind of looks like an eyelash just came loose.
I promised myself that I wouldn't laught at Paula this week and yet here I am, on the floor cracking up. I won't spoil the ending for you but dayum, there is just no defending that walk.
What She Wore: Michelle Obama
ETA: The dress is now sold out. Better head to EBAY. Article about the surge in demand for the frock.
She's Got the Look
Last night's competition had the 10 mature beauties break into groups of two (the pink team and the blue team) for a revealing photoshoot.
As any seasoned viewer (or former viewer) of ANTM knows, before the real competition begins, the model wannabes need to git their hair did. Kim Alexis and company take the ladies to the Warren Tricomi Salon salon and we're not even two minutes into the scene when it becomes apparent that this pricey beauty palace is no place for women with kinky hair.
While the white contestants get tips on how to enhance their image, the viewer is almost immediately informed about what is wrong with ethnic hair by the stylists and modeling agency reps. Sharon, the oldest woman in the competition, is told that her hair (bleached blond and worn in short twists) was "too out there" adding that it was "fried, dyed and twisted." Thank you Captain Obvious. Her hair is immediately dyed dark again and shaved within an inch of her scalp. Apparently, in the modeling world black women are not allowed to have any color but black or dark brown.
The color issue comes up again with Hope's hair. Her reddish hair color is also unacceptable. The horrified stylist commenting "I don't like the color, I don't know what it is or how it got there!" In spite of his protestations, she leaves the salon looking almost exactly the same. Celeste, the ravishing 50 year old is immediately called out for her wavy weave. The solution? To trim it and erase any signs of texture. "
Paula, the butchest contestant of the bunch (who is frequently compared on the Television Without Pity forums to Marvita from last season's ANTM obstensibly because they are both dark skinned with short hair) gets the worst treatment. Her snippy stylist doesn't even attempt anything with her hair. He says that he's just "not feeling the fro-hawk." Okay, I'm not 100% sure he said fro-hawk or faux-hawk but that's besides the point. "This kind of hair can scare a client, they're not going to get it." I'm left at home scratching my head because I've seen that hairstyle on dozens of models included mouth breather Agyness Deyn.
He slicks Paula's hair down with a tin of Dapper Dan pomade and huffs, " I'm not even going to cut it, there's nothing to cut...get some wigs so you're not so one dimensional." His tone is so unnecessarily nasty that I wonder if he was beaten up by popular kids every single day of junior high and high school and maybe that's why he's taking it out on Paula and her hair.
In the next scene we have Paula's mini-confessional in which she shows the first in what will be a series of wounds. She shares, "I feel ugly, my hair is short and damaged and I don't feel confident."
The only one of the black ladies spared the hair critique is Tanya. The agency reps only seem to have a problem with her false eyelashes which were completely undetectable on TV. Do I have to mention that she had some of that "good" hair?
Later, the show's resident bitchy contestant Roxanne gets first pick as the teams are divided into two groups. She chooses Sharon, Karin (the razor boned blonde,) and Paula. Paula lack of self esteem show again. She seems to think that she and the other women were chosen by Roxanne because Roxanne thinks they are less attractive, remarking that Roxanne would do "anything to get on a pedestal to make herself stand out." I'm half heartedly going to agree because Roxanne has a stank attitude.
At this point, I'm starting to get that uncomfortable feeling. The one I get when I think that I've identified the reality producer's special aka "the crazy black woman" in the cast. I sit back and wait to see how it will unfold.
Onto the shoot. It is very obvious that this show has about 1/100th of the budget that ANTM enjoys. The ladies are wrapped in sheer fabric clinging to each other for dear life. The pictures are comical but the pink team manages to pull off the meaningless victory.
Now for the real meat of the episode. Paula is not happy and she says so. "I wasn't happy about that. Everyone can't be blonde and have blue eyes." This is true but it is also worth noting that there was only one blonde on each team of five. But I digress, now is not the time for specifics. It is about Paula's pain. You know when you're cooking something on the stove but you're only half watching it because you're on the phone or your kid is doing something potentially destructive so you take your eyes off of it for a minute and then suddenly you hear that hiss right before everything bubbles over? Paula just hissed. It's pretty obvious that she's never felt comfortable in her skin and now she's mad as hell.
This is the cue for everyone at home to grab their popcorn. In the absence so far of a Youtube video of the speech, I've tried my best to dictate what she said (all while wearing a wife beater) to the best of my ability:
I'm gonna tell y'all something...(pacing the kitchen)...let me just calm down, let me just calm down. This hurt very...I...I want to know why you won...Huh? Oh, the pink team wins? WHY?! You can't tell me it's not superficial...you can't tell me that. This is society! I'm mad, because you have to (Paula pounds fist on counter for emphasis) crush those barriers....because they take what they see...because if it doesn't turn you on right here (grabs crotch)...because if you don't have these (grabs breasts)...it's gotta be (touches chest again)...women got to cut themselves (makes slashing motion across chest) to be this? Congratulations because (interrupted by Celeste)...no, you want me to talk?
Celeste interjects that the pink team would have been happy for Paula had her team won. Bahai points out comically that Paula wasn't the one rejected, her entire team was.
Tanya, who has firmly established herself now as the mother hen of the group, add that Paula is being asked to accept her unique beauty and by losing the challenge, her beauty has been rejected.
Paula continues,
Believe in me because I have a story to tell...it ain't all about being beautiful. People want to hear what the f*ck you've been through...I've been through some shit...for what? Because I didn't turn you on? Because I got too many muscles? Because I walk hard? Because you're intimidated. [note: I can't properly convey Paula's body language here but yeah, this chick is intimidating like a motherf*cker] Yeah, I'm gonna take it personally.
In her wake Paula leaves contestant Kathy in tears babbling about not being able to take it anymore and wanting to go home. [Side note: if it wasn't for Paula's misdirected outburst, it would have been easy to label Kathy as the show's crazy person. Earlier, she admitted that she canceled Christmas over a bad haircut she received and later in the program she shared with the other contestants that she made her sons sign contracts pledging that they would never love another woman more than her. In short, Kathy you owe Paula big time.]
In spite of her angry take on Sophia's "all my life I've had to fight" speech. I feel for Paula, I really do. And I can relate. It is hard sometimes to feel attractive in a society that traditionally favors only one type of beauty. That said, I still found this whole exchange funny. I mean, I felt a little bad for laughing at someone in pain but I had already had a few glasses of wine and my husband was giving me that look that says "Why the hell are we watching this garbage?" It seems like Paula went on this show to prove something and to get validation which was a mistake. Reality shows aren't in the business of making anyone feel good, they exist to provide cheap entertainment by mocking the ambitions of people foolish enough to appear on them.
So Paula, I'm sorry I chuckled because everything you said was true but maybe next time, you should just start a blog.
Fashion Blackout: The Play by Play

There's a brief clip from BET's Fashion Blackout on Jezebel today. I finally watched the half hour special this evening and while it wasn't perfect, it was better than I expected from BET. I was hoping for a little more analysis from the likes of Vogue's Andre Leon Talley but microphone-shoved-in-face-at-fashion-show "interview" didn't really add to the topic.
Here is a rundown of the highlights for anyone who missed the show (please note that I've paraphrased many of the quotes here, my shorthand sucks and my toddler really wasn't into this show):
The show seems to have been shot during NY Fashion Week. The opening sequence is a melange of images from the runway and backstage. The voice over notes that, judging from models used at these show, "black is definitely out."
Runway stylist Kithe Brewster comes on and remarks that it is time to take a stand against this blatant discrimination. The stylist, who has worked for designers (Rubin Singer), actresses (Halle Berry) and on Project Runway, remarked that season after season the same people in charge only look for one or two black faces. Brewster made a point of hiring several black models for the Rubin Singer show and hopes that his actions will set an example for other designers.
One of the models he cast named Lily shared that because the Eastern European look is hot, that black models can't catch a break. Another model, Britnee said she was very aware during the show of how much she and the other black models stood out compared to the white ones. Model Ayan, shared that upon her arrival in New York for Fashion Week, she went to a couple agencies, one of which said that they "already have a black girl who looks like you." She retorted that the agency represented 150 white models who are styled in the exact same way and are working.
Popular designer Tracey Reese shared that she had to specifically request black models or the agency wouldn't send any to casting. "If black girls aren't going to castings, they won't get booked!" The top tier black models like Jordan Dunn and Chanel Iman are immediately booked for high end shows and Reese noted that she never gets the opportunity to hire them for her shows.
The voice-over adds that in 2008 Blacks are reaching unprecedented heights in the media industry but the fashion dinosaur lags behind the times.
Roman Young, the white Director of New Faces at Elite Models, said that fashion editors have told him quite explicitly not to send Black or Asian models to castings.
The voice-over notes that "black" style is pivotal to American culture.
Constance White, Style Director at Ebay and a former editor at ELLE, WWD, and The New York Times, recalls that Yves Saint Laurent and Givenchy once used many black models on their runways--superstars like Veronica Webb, Beverly Peele, and Yasmin--and that "we took it for granted [that they would alway be represented in shows.]"
Roman Young linked the downward spiral to the grunge movement in culture and fashion in the 90s. "Grunge was not ethnically diverse" and the fashion at the time started to reflect that. Also, when stylist began to become more prominent, color started fading from fashion. Andre Leon Talley noted that "sameness" became the rule.
Bethann Hardison shared that in her view, the "white eye" doesn't understand black beauty and if the new vanguard, European designers like Prada and Balenciaga, aren't using ethnic models then that discrimination will trickle down and become the norm.
Claude Grunitzky, Editor in Chief of Trace Magazine, puts the blame on the "three or four editors in Times Square" who dictate fashion for a living.
Somewhat echoing remarks made by Stefano Pilati, Bethann Hardison said quite bluntly (and inaccurately in my view) that "the body of a black girl" can't compete with that of an Eastern European model. "These people haven't eaten for generations (laughs)...generation-wise these people are very lean...that is why West African models get work now, because of their very narrow hips."
Model Lily comes on the screen to add that a new black model walking into a casting isn't viewed as a fresh face, she is viewed as the black model. They only see color.
Model Ayan notes that as black people we buy clothes from these same designers and yet they won't give us the chance to do a show. We are very beautiful people.
Voice-over comes on and states that black women spend $20 billion on apparel each year.
Kithe Brewster again: "We have to be conscious of our buying power - if you don't see yourself represented in their ads, don't buy their clothes."
Roman Young then shared this piece of information that made me want to put stiletto heeled boot in someone's ass:
[Agencies] are concerned with "am I picking the right one?" -- meaning the acceptable black model. They have used the term "bushy" to describe "African looking" black models. "She's so black and so severe that she must be The One." She looks so different that she must be beautiful.
Bethann Hardison shares that the fashion industry is a very exclusive almost elitist environment that has become "quite fascist right now."
She continues, adding that fashion is mainstream now and not a tiny island like it once was. It strikes a cord when people talk about this discrimination because this country has a history of fighting against such things and asking why is this happening? This is dumb.
Constance White adds that for a designer or editor to say that he or she would use a black model if they could find one "smacks at the heart of this whole issue of racism."
The show ends with highlights from the Sean John men's runway show in which he used all black models of diverse colors, looks and fits.
Hardison ends by noting that "we" need to do our part as well and adds that she is there ready to cultivate the talent.
Roll credits.
Hey Look! A Black Girl on TV - 90s
I don't know if it's because it's Monday or if I was busy doing something other than watching TV in the 90s, but coming up with a list of memorable black women on TV from that era has been really tough. I guess this was the decade when we started going out of style.
Here is what I came up with:
"Rhonda Blair" - Melrose Place
Okay, so lets get this all out of the way...Kendra the Vampire Slayer was a wuss and left a LOT to be desired with that Ja-fakin' accent, Phina Oruche was wasted as Giles' girlfriend Olivia, the First Slayer had a ratty weave and was often referred to as "The Primitive," Ashanti was woefully miscast as "Lissa," Rhona the slayer trainee was annoying, and finally flashbacks of Nikki the Vampire Slaying single mom made us long for another show just centered around her. Whew! That said, I still loved this show more than cake and ice cream so I had to work it into the list somehow.
T'Keyah Crystal Keymáh and Kim Wayans - In Living Color
It's hard out there for the black female comic who has to deal with the racism and sexism while trying to be funny yet these two women did it with did it with élan. T'Keyah was the cute and funny girl next door while Kim Wayan proved with the Grace Jones sketch that she would do (or wear) almost anything for a laugh. Wayans was suspended from the show at one point for refusing to appear in a skit she found degrading. In the end, The Fly Girls probably got more attention but these two ladies definitely paved the way for another variety show funny lady...
Debra Wilson - "MADtv"
A lot of the sketches on MADtv are just plain unwatchable but Debra Wilson has always been the show's standout performer. Her impersonations are hilarious. I don't know why Saturday Night Live hasn't tried to steal her away. Fred Armistand's Obama is weak and Kennan Thomson is too heavy to pull off Michelle. What's Lorne going to do come election time?
"Lisa Turtle" - Saved by the Bell
Okay, technically this show started in 1989 but I forgot to add Lark Voorhies character to the last segment. Truthfully, I was only a casual viewer of SBtB but I watched enough to know that the only thing Lisa Turtle seemed to do on that show was shop and avoid the advances of Screech. Further proof that TV execs don't know what to do with pretty black women on the tube.
Honorable Mention
Vivica Fox from that episode of Beverly Hills 90210 where Brandon dates the town black girl.
Whatever became of poor forgotten Sherice Ashe? Was her family run out of the Hills? Did she moved in with her auntie and uncle in Bel-Air? Whatever the story Sherice, you made an impression on me and girl, you were too fly for Brandon Walsh anyway.
BET: Fashion Blackout Encore Tonight and Sunday
BET News examines the issue in a segment called "Fashion Blackout." I missed the first airing but it will air again tonight at 7:30 (Eastern and Pacific times) and again on Sunday at 11 a.m.
From the website:
So is the fashion industry racist? Or are Blacks simply “not in” this season? And why should we care? We will explore the issue and how the exclusion of an entire race has a negative effect on Black women and their sense of self-worth. We go behind the scenes at New York’s Fashion Week to find the answers.
Since this is BET we're talking about, I don't think the segment will be sharing any information we have't already heard but I think it is good that more people are talking about the issue.
Hey Look! A Black Girl on TV! - 80s Edition
Darcel Wynne - Lead Solid Gold dancer
Darcel was the principal dancer on Solid Gold which just happened to be the best show in the world. She effectively replaced Cheryl Song in my heart as long haired dancing machine #1. Sometimes she danced with the group, other times she danced alone but no matter where she appeared in the musical numbers I was right there with her, imitating her steps in my mother's heels while trying not to break my ass or accidentally fall into our plastic covered couch. Darcel was the original Fly Girl.
Kim Fields - Tootie from "The Facts of Life"
Tootie got to live away from her parents AND wear roller skates all the time. If she wasn't living the dream I don't know who was. Also, if the roller set afro was the hair to have of the 70's then surely Tootie's meticulously balanced mushroom took its place in the 80's. The often imitated look was perfected on Kim Fields who displayed just the right length of bumped under bangs to frame her face. In the 90s Brandy would try to revive the look in her short lived sitcome "Thea" but her mushroom was just plain tore up.
Janet Jackson - Charlene DuPrey on "Diff'rent Strokes"/ Cleo Hewitt on "Fame"
Janet always seemed to play the shy but sweet girl on television. She also got credit for adding a bit of flair to the standard mushroom cut by feathering her bangs away from her face on Diff’rent Strokes. I'm starting to realize that Janet Jackson for a time was the black female Ted McGinley, brought in after a show has already debuted in order to breathe new life into the storyline. First "The Jacksons" variety show, then "Good Times" followed by "Diff'rent Strokes" and a stint on "Fame." She was the hardest working teenage in show business but why? My theory is that the first morning Janet woke up, went down to the kitchen and saw big brother Michael having breakfast with Emmanuel Lewis and Bubble the Chimp, she realized that she was going to have to have a nest egg of her own.
Lisa Bonet - Denise Huxtable on The Cosby Show
Remember when Denise told Theo she could make a shirt for him just like the one he saw at the store? White folks have the “pirate shirt” episode but I have that one. I love Lisa Bonet for being an unapologetic oddball. She was the role model for every left of center black girl I knew growing up, myself included. Like the rest of the country, I had to get my Cosby Show fix every week so I was surprised when I tried to watch old episodes on cable awhile back and just couldn’t get into it. If I could be a fly on the wall I would have loved to see the look on Bill Cosby’s face when he watched that bloody chicken dance scene in Angel Hart. The Coca-Cola and Jello Pudding pops must have shot right through his nose and onto his expensive African American art.
Diahann Carroll - Dominique Deveraux from “Dynasty”
I remember watching Diahann Caroll on Entertainment Tonight talking about her role on Dynasty. She said then that she wanted to be the first black bitch on TV. At the time, I was surprised they let her say the word “bitch” on TV which kinda made me scared of her. While her character was indeed a piece of work Dynasty never gave Blake’s black half-sister enough to do. You know that if she got into a fight with Joan Collins one of them would have wound up dead at the bottom of the pool. I thought for sure that she would end up dead at the end of that Moldavian terrorist wedding cliffhanger but she survived to star in a few more seasons.
Regina King – Brenda from “227”
Jackee got the lionshare of attention on 227 but for me Brenda, the sulking teenage daughter of Marla Gibbs on 227, was my television doppelganger. Her expertly delivered “Dang!” along with an eye-roll pretty much sums up how I felt from ages 11 to 17. She also rocked a mean mushroom on occasion though she preferred to wear the sides pulled back.
Cast of A Different World
I had a hard time deciding which character was my favorite on this show. Was it the straight talking Jalesa or the free spirit Freddie? Hell, even irritating Whitley had ber moments. In the end it all came down to who had the most memorable scene. Once I figured that out, the choice was clear. Pre-med student Kim (Charnele Brown) definitely had the best scene out of all the women on the show when she pwned green eyed brother Shazza Zulu (Gary Dourdan) for snidely using her has an example in during one of his soap box moments. I didn’t see that brother again until the 90s when he was crying in a Janet Jackson video. Punk.
Honorable Mention
Robin Givens
I watched Robin Givens on “Head of the Class” all the time but back then I didn’t think much of her. She just kind of scared me. Her icy demeanor, crazy sharp cheekbones and bad reputation, made me support Team Kimberly Russell. Looking back I think Robin probably got a bad wrap, after all Mike Tyson is batshit crazy, and for that I’m giving her an honorable mention here.
Look me in the eye and tell me you don’t remember that episode where Kimberly dressed up in blackface for the prom to out her date Roger as a racist.
Bravo Leaves Veronica Webb Looking for Work

So apparently, Veronica Webb is out as co-host of Tim Gunn's Guide to Style and stylist Gretta Monahan has been hired to replace her. There is no indication on Bravo's website as to why Webb's role was recast.
As much I as studied all the top black models of her era, Veronica Webb was never one that I had any particular fondness for but I was still pleased when I heard that she got the co-hosting gig with Tim Gunn. I am always desperate to see black women on TV in roles that don't involve being someone's sassy sexless girlfriend or a reality show demon.
That said, I've only seen about three episodes of the show. It just got a little too repetitive for my taste. However on the airings that I did catch, Webb and Gunn seemed to have nice enough chemistry so maybe there's a juicier reason for the ousting. Especially since they are trading down for an unknown stylist.
When I think of Veronica Webb, three things pop into my head:
a) That she was the first spokes-model for Revlon's short lived Color Styles collection in the 90s, which at the time was a big deal.
b) Her relationship with Spike Lee, and
c) The time Mary J. Blige threatened to kick her model ass after the two spent together while Webb was interviewing Mary for Vibe Magazine.
Okay, to be perfectly honest, I don't really care about the first two but the Mary J. Blige story flashes across my mind every time I see Webb on TV or in a magazine. I mean, back then Mary wasn't the serene, married, drug-free Zen loving queen of R&B she is today. Back then, Real Love Mary would not hesitate to beat your ass.
If I were Veronica Webb, I'd still be scared.
ANTM Winner Saleisha Cooper
America's Next Top Model peaked for me many moons ago. I was addicted to the first three seasons of the show but after awhile each new "cycle" stared to top the previous one in predictability and dullness. I probably only saw three episodes of the most recent season.
This is the most recent winner's Seventeen magazine cover.
I find it interesting that Saleisha's cover also just happens to be a cover for actress Vanessa Hudgens cover (which the editors point out pretty effectively with the massive inset.) It reminds me a little of the May 1996 Vogue cover that featured Nikki Taylor on the outside cover and Naomi Campbell on the inside flap.
Nevertheless, it is a cute photo.
Oprah's Favorite Things 2007
The list is up on Oprah.com and I must say that there really isn't much there to covet in my opionion. Sure, I'd take the stuff if it was free but I wouldn't be happy about paying taxes on some of those gift bag items. For example:
My G-d this is hideous. The woman who wears these two pieces together has clearly given up on life. This is the kind of outfit that my drunk auntie would buy at two in the morning from QVC.
Didn't the people at Uggs make enough money on those awful sheepskin boots? What the hell is this and why would anyone pay over a hundred dollars for something that anyone's granny could make in one sitting?
Okay. It is cool but remind me, why do I need a TV set on my fridge?
I'm not a fan but I suppose it could be worse, Oprah could have stuck a copy of The Secret in the gift bag instead. My mother-in-law would probably be thrilled to get this disk.